That artist, Charlie Stagg, spent decades adding to it by hand, and the building became known

That artist, Charlie Stagg, spent decades adding to it by hand, and the building became known

Image(s): City of Vidor

He called the town home for more than thirty years, according to the City of Vidor. Stagg built it himself, hauling materials in by hand on land that once belonged to his mother, and said watching wasps build nests taught him to keep working, “You just stay at it,” he said. Deep in the woods near Vidor, Texas, an artist once built a domed cathedral from repurposed bottles, cans and cement. That artist, Charlie Stagg, spent decades adding to it by hand, and the building became known as the Glass Bottle House. Stagg was also a sculptor, painter, draughtsman and architect whose spiralling works have been shown in museums and art installations around the world. His home and studio have been described by a Texas art publication as one of East Texas’ best-kept secrets. His sculptures were carved and counted, either rounded or cone-shaped, then wired together to resemble helix-shaped genetic models. CultureMap Houston describes a curving wood and cement structure adorned with glass bottles and aluminium cans over the years.

That artist, Charlie Stagg, spent decades adding to it by hand, and the building became known

A fire in 2006 caused considerable damage to the house, according to the Houston Chronicle, as reported by CultureMap Houston, forcing Stagg to live in a small trailer while he rebuilt. He died on 20 February 2012, aged 72, and Glasstire reported that he had suffered fatal burns in an accident at the property. In 2014, a local man said he hoped to make it one, so future generations would see a Glass Bottle House rather than a party house. His smaller works live on elsewhere; Webb Gallery in Waxahachie lists carved wood and wire sculptures from around 1999 and 2000, and the Art Museum of Southeast Texas had his work on view in 2012.

Two years later, 12News Now reported that vandals had covered the abandoned home in graffiti, and a local man named Kyle Ford hoped to protect it.

The police chief said he knew of earlier vandalism but not of any recent incident, and did not know who owned the property. Not every chapter was smooth. Whether the domed cathedral counts as a formal landmark is less clear than its reputation. The City of Vidor features Stagg among its notable residents and asks visitors to remember that Charlie’s House, like all fine art, is best left untouched.

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